When was the last time you looked out and there was nothing to be concerned about? Everything new and different and liquid. Add Comment Years compressed a blank slate the wish instead of a history redundant, intransigent, intolerable. More of the same without a new outcome, only more virulent in its expression. Unlike most long term relationships that fade over time, lose traction, lose passion, lose significance. Released unconditionally, untainted by loss. But this thing, this thing we have created is darker than dark, from the deepest part of the known, broadcasts despair and channels ever living memory into one single thought. When will it ever end? At what point does the clock turn back, reverse course, spin faster than usual, that buzzing sound that use to go tick, tick, tick now hums with annoying persistence, the hands always moving, tracing an arc that has already been drawn and quartered? i don't want your dna or your hair color or your ambulance chasing thoughts i don't want your random phone calls your insincere inquiries your baseless doubts. where were you when she was lonely? what did you say? with no reserve... no imagination...no moment in time that meant enough. and now you wonder where she is you can't reach her not because you have something to say, not because you care, not because you really love her but because you think you must. the hat? it seems ridiculous. to love your head impossible. what's a torso but a stand to hang your hat on? what's a stand but a cause that is ignored? what's a hat when you can hang yourself? what's a head when there is not a thought? for the love of a new world, ensemble. we impart nothing, understand less, thirst for more and in the twilight, retreat. where are we? wondering or not, wandering in pursuit of happiness. nothing’s changed so why does it feel different? this place a space unrecognizable. familiar enough to get used to it. this place no place you or I belong but for the sake of it, we accept. eternity an every day thing to navigate and then the abyss of total recognition. how we swim to keep up. how we hope to swim with or without, defenseless. with or without a compass, with or without and then…. MM 11/20/09 In the dark of cover under cover in the dark like a heat seeking missile I abdicate all rights (mostly those I don't want to give up). Hot, light, black of dirty days lost to a past I can't erase. Like a heat seeking missile, I don't want to last. you stand there wondering why you're staring at a canvas wondering, staring at a feeling at a thought at an angle wondering. why do they stand there staring at a painting at a color at a brushstroke wondering why they have to buy a couch a car a vacation house when they can't buy a painting? you sit there wondering why you're staring at a page wondering, at a dream at a phrase at a point of view wondering. why do they sit there staring at a manuscript at a plot at a narrator at a word wondering why they have to be so literary when they'd rather buy a mystery a thriller an airport book. wondering why we do it... Multicultural, modern, historical, diverse, the city of Montreal is a writer's paradise. Infused with the heady aromas of the Mediterranean, Asia and the Middle East, the colorful and vibrant outdoor markets and restaurants with that native ambiance exacerbate my fixation on the culinary arts when I should be paying attention to the soul of the city, her people. Always stimulated by the Musee d'Art Contemporain, Christine Davis and her multimedia installation of choreographer Loie Fuller, an 1800s modern dancer who attempted to patent her use of the elements - electricity and fire -in dance is juxtaposed with Mallarme's poetry and Euclid's geometry. True genius. Betty Goodwin's retrospective was amazing - her abstractions on tarpaulins, tracing paper, vellum, steel...puts the expressionism in art. Do the thing or don't. Why do we have to pave the way for that vast wasteland we feel desperate to reclaim. Now do we? |
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